When a fashion model dies during an abortion, it sparks a series of murders that are all connected to the modeling agency she worked for. As the models drop like flies in grisly deaths by a mysterious killer dressed in a leather jumpsuit and motorcycle helmet,

Dr. Eswai, a coroner, arrives in a secluded Transylvanian village to perform an autopsy. At the inn, he meets with Inspector Kruger, who is investigating the death of a young girl who was employed as a maid at Villa Graps. The inspector has summoned Eswai to the village so that he can perform an autopsy on the girl,

If one film ever literally showed what hell on earth would look/feel like, Jacopetti & Prosperi’s super mondo extravaganza Goodbye Uncle Tom would be that film. It goes above and beyond anything Ive ever seen in terms of mistreatment of human beings on screen.

In the crypt of the remote castle of the Aguilars lies the recently-deceased body of Maria. Her husband Antonio is a jealous bully, his mute brother Ignazio is in a wheelchair peeping on his caretaker Sol, a novice. Also present are Miria, the couple’s virginal daughter, and Isidro, a factotum who fears Satan’s power.

This is uncut (hard) version of the Beast in Space (1980). Sirpa Lane, star of the notorious art-house porno The Beast, returns to star in this unofficial sci-fi sequel Beast in Space (1980) produced five years after the original

Tough Milan cop Dario Mauri (Luc Merenda, Violent Professionals) arrives to help out the Naples police combat illegal narcotic trafficking, just as a local drug war heats up. When a shipment of heroin is hijacked from the city’s reigning crime boss, Domenico Laurenzi

Waves of Lust made in 1975 marked a return to feature film making for Ruggero Deodato after a few years in the wilderness of television. Deodato was initially lukewarm about taking on the film – at that point it was a relatively innocuous softcore skin flick, but his interest was stirred

Genre is an unfortunate and regrettable aspect of film theory, resulting in the pigeonholing of films by what they should contain rather than what they uniquely offer. Along with a misguided respect for narrative, genre dominates much film criticism and eduction, resulting in ugly and puerile classifications.

Director Pasquale Fanetti, in his film e l’amante (The Lover), hit a jackpot in the cinema of erotica. Although I saw it 10 years ago, yet I remember every small detail of this erotic picture. The movie is about a beautiful wife (Malu`) who marries a rich man but he is old and palletized.

The nausea of necrophilia. The dilemma of dildos. The sexiness of sadism. The truth about transsexuals. And the karma of coprophagia. Get ready for a rollercoaster ride into the darkest corners of human affection / affliction! Sigmund Freud meets the Marquis de Sade: firmly anchored to the moral code